Composing for the Films
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BeschreibungTheodor Adorno was the foremost thinker of the Frankfurt School of philosophers, this classic account of film music aesthetics is a fantastic addition to the Impacts series.>
InhaltsverzeichnisNew Introduction by Graham McCann; Preface; Introduction; 1. Prejudices and Bad Habits; 2. Function and Dramaturgy; 3. The New Musical Resources; 4. Sociological Aspects; 5. Elements of Aesthetics; 6. The Composer and the Movie-Making Process; 7. Suggestions and Conclusions; Appendix: Report on the Film Music Project; Fourteen Ways to Describe Rain; Index.
PortraitTheodor W. Adorno (1903-69) was a founder and arguably the foremost thinker of the Frankfurt School. He worked with Max Horkheimer at the New York Institute for Social Research and later taught at the University of Frankfurt until his death in 1969. His work has proved enormously influential in sociology, philosophy and cultural theory. Hanns Eisler (1898-1962) began composing for films in the late 1920s. He emigrated to the US in the 1930s where he write a number of scores for Hollywood productions, including None But The Lonely Heart and Renoir's The Woman on the Beach.
Untertitel: Sprache: Englisch.
Verlag: Bloomsbury Academic
Erscheinungsdatum: Oktober 2007