Postmodern Aesthetics in Six-Generation Chinese Films

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Mai 2010



Postmodernist films, in the social context of post-cold war China in the 1990s, corresponded with Deleuze's micro-politics of aesthetics to the culture of disintegration in these independent cinemas. The deformation of grant narrative has long been thought to play a major role in creating social change in China, in large part because the discourse in everyday life gives individuals opportunities to better understand the problems facing their transformaing society. In this research, drawing on Lou Ye, Wang Chao, Zhang Ming's independent films, which make them well known among the six-generation film makers and the international film festivals, I examine the relationship between politics of time- image in Six-Generation Chinese films and aesthetics of postmodernism in contemporary China. With the analysis of mise-en-scene, I ask two key research questions: How does postmodern culture shape the time-image in Sixth Generation Chinese films and their cinematic memory of social- transformation? What are the claims of social and aesthetic post-modernism in the discourse of Sixth Generation Chinese films?


Shan Lan has a Masters Degree in Film Studies from the University of Sydney and a Bachelor of Literature from Nankai University. She is currently a Ph.D. candidate in Chinese Literature at the University of Hawaii at Manoa. She has several publications in China and her papers on Chinese film were presented in international conferences.
EAN: 9783838361291
ISBN: 3838361296
Untertitel: Cultural Memories in the Present. Paperback. Sprache: Englisch.
Verlag: LAP Lambert Acad. Publ.
Erscheinungsdatum: Mai 2010
Seitenanzahl: 72 Seiten
Format: kartoniert
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