HUDU

South African National Cinema


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Januar 2008

Beschreibung

Beschreibung

Through detailed investigations of selected films, from De Voortrekkers at one end of the twentieth century and Mapantsula at the other, this book examines how South African films have represented national identities across the twentieth century.

Inhaltsverzeichnis

List of Figures Acknowledgements Introduction Chapter 1: Colonizing 'Nation': De Voortrekkers (1916) Chapter 2: Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Moedertjie (1931) Chapter 3: Monuments to Nation: They Built a Nation (1938) and 'n Nasie Hou Koers (1940) Chapter 4: Black Audiences 1920s - 1950s: film culture and modernity Chapter 5: All That Jazz: representing black identities in Zonk! (1950) and Song of Africa (1951) Chapter 6: Cry, Africa: social realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959) Chapter 7: Apartheid Cinema: race, language and ethnicity in state subsidy films Chapter 8: Chimes of Freedom: cinema against apartheid Chapter 9: Screening Nation: new South African cinema/s beyond apartheid Bibliography Filmography

Portrait

Jacqueline Maingard is a Senior Lecturer and Head of Education in the Department of Drama: Theatre, Film, Television at the University of Bristol. She was formerly at the University of the Witwatersrand, Johannesburg.
EAN: 9780415216807
ISBN: 041521680X
Untertitel: 'National Cinemas'. Sprache: Englisch.
Verlag: ROUTLEDGE CHAPMAN HALL
Erscheinungsdatum: Januar 2008
Seitenanzahl: 220 Seiten
Format: kartoniert
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